So? How did it go?

I have mixed emotions about how well our final performance went. I feel that some areas of the work really shined and showed off what we wanted people to see, but then I also feel that we lost momentum half way through and therefore lost the drive that was needed to push the performance and keep it going strong.

I feel that performance day itself could have gone better. The group did not seem to have the enthusiasm that you would hope for on performance day. Setting up the exhibit took longer than I had planned due to afore mentioned lack of enthusiasm. Another issue that presented us the morning of our exhibit was the weather, as our piece was outside we hoped for clear skies and glorious sunshine, instead we got the usual British rainy weather, by the time we began running our exhibition at 12pm it had stopped raining and began to warm up a bit, this meant more audience members wandered outside to see what we were up to. I feel if the weather had been sunny initially we may have had a better audience turn out than we actually did. Once we got the piece up and running I started to feel more confident about the group as a whole and the weather.

When we were in place I could see it being a slow start but as we got going the group seemed to work together as a team. As part of the window pair I feel that our performance was well noticed by the audience and received a good response. We had families waving at us for no apparent reason, I took this as a good thing as it meant that people were acknowledging what we were doing and came to get a closer look and see what it was all about. Because of this I think that the window position was a good one to use as it enabled us to attract an audience to the rest of the exhibit.

Our piece lasted for 1½ hours. We were hoping to perform for 2 but unfortunately that was interrupted by unavoidable circumstances. But the hour and a half was plenty of time to gage audience responses.

The audience reacted mostly as I hoped they would, we wanted our audience to come and experience what we had to offer. They could come along view our exhibit and make their own observations about our piece. I feel that this worked successfully due to the way that people responded whilst moving around the exhibition.

‘Audience need not be categorized, or even consider themselves, as ‘audience’’ (Pearson, 2010, pg 175) I feel this quote from Pearson applies to our piece, because we presented a gallery and not so much of a performance; our exhibition was for people to wander around and experience which people did. Therefore our audience could be described as a number of things, spectators, observers, participants, or indeed members of an audience. But because our performance was based around the actions of the public our ‘audience’ could be classed as part of the performance itself presenting everyday pedestrian actions much like we were as a group.

We did however have one couple ask the table groups to stop talking or quieten down. I think this was an interesting response as it’s not a normal response when a performance is going on. But I feel that the idea of site specific encourages these responses. We are coming into a space that is frequented by the general public and we have to be aware that these responses may be likely to occur.

In conclusion I think that our group passed on the messages that we wanted to but the delivery could have been met with more enthusiasm and commitment. If we were to develop the piece, I think that we would extend the opening times to allow more people to view it and have more exhibits for people to view.

 

Pearson, Mike (2010) site-specific performance, New York: Palgrave Macmillan.

Final ideas

Our final performance is an exhibition of the least exhibited part of the gallery; the cafe.

Through our observations and listening to conversations we realize that there is a lot to look at and listen to whilst in a cafe especially in an art gallery. We decided on exhibiting these features.

We will have a cake stand

Cake Stand

A tea set

Tea Set

and a specials board

Specials Board

All of these familiar cafe features will be displayed in a professional manner much like the gallery would. We will use cases from the gallery itself to house some of our exhibits and we are placing barriers to keep people away from the exhibits, we did this to make our gallery profession much like the actual gallery itself. Another way which we will do this is to put up placards that explained what each exhibit was.

‘Museum display has attracted the interest of performance studies scholars because it forces engagement with the important issues about representing cultures and identities and the social production of meaning in time and space’ (Allain, 2006, pg 175) I think this quote helps to define our attraction to the way in which museums display their works. It ‘forces engagement’ because our piece is and instillation like an exhibit you would expect to find in a gallery people feel the need to look at things like they would a art gallery. I hope that this is the case and our audience feel compelled to explore the space and interpret our exhibits for themselves.

We as performers are presenting what we have seen and heard in the cafe but on a more emphasised scale; causing people to notice things they might not normally.

We will have two tables set up by the windows to frame them and to reflect real life within the cafe. The two members of our group at this table were reciting things to themselves that we had heard people say in conversation during our observations. I feel that this will grab people’s attention as the wander by and allow them to make their own observations.

We are going to have a greeter; this member of our group will stand on a platform and address audience members as they come past. They will offer up phrases that could be heard by a member of the staff within the cafe, such as; How can I help?, Would you like ice with that?, which table are you sitting at? And thank you, we look forward to seeing you again soon.

We will then have two members of the group in a glass window of the adjoining building to the cafe; this is another way of framing our observations as they were in effectively a glass box. These two were mimicking much like children would a pair of adults. They are going to act and be dressed as adults but they showed the idea of childlike mimicry by using a Childs table set and tea set.

We are going to use verbatim strongly in our piece as we feel it has a strong connection with what galleries do. They exhibit people’s ideas and work. Therefore we are going to display through verbatim the general public’s thoughts and feelings.

‘ “Verbatim theatre” The term…. refers to a form of theatre which places interviews with people at the heart of its process and product’ (Headicke, 2009, pg 115) within our performance we have used aspects of verbatim, we gathered our information by listening to conversations and observing peoples behaviours as we felt it was the best way to get peoples true feelings rather than ask people to participate in interviews as this could mess with the information that we found.

Our performance is taking place at The Collection Gallery on Danes Terrace in Lincoln. We are going to be presenting our gallery between 12 and 2 on Saturday the 4th of May. Feel free to come along and experience our exhibition.

Event page

 

 

Allain, Paul and Jen Harvie (2006) The Routledge Companion to Theatre and Performance, New York: Routledge

Headicke, Susan C. et al (2009) Political Performances (Theory and Practices), Netherlands: Editions Rodopi B.V.

Health and safety

So as our ideas are in need of us using university owned ladders and its getting a bit late in the day we are beginning to see how unimportant the stringing of the buildings now is. We have defiantly strayed from our original ideas but I am enjoying the idea we now have.

To begin with I didn’t really like Site-Specific but now I am enjoying the freedom to create that we truly have. Maybe it would have been easier on ourselves to have started with this idea originally but I think we needed to go with the direction our previous ideas took us on to get to the end result.

We are now planning on taking the gallery outside and creating our our exhibition filling the space that is empty between the gallery and the cafe with our art. Our art is inspired by the cafe itself and is a instillation. We are hoping to do it for an extended amount of time to allow the audience to wander in at their own leisure to discover what we have to offer. We hope they will interpret our piece in their own unique way and take something away with them.

Our performance is taking place at The Collection Gallery on Danes Terrace in Lincoln. We are going to be presenting our gallery between 12pm and 2pm on Saturday the 4th of May. Feel free to come along and experience our exhibition.

Listening to Conversation

For our performance we are planning to develop script by listening to conversations. People come to cafes for many different reasons. But no conversation is the same.

Most recently I have heard mostly working conversations among others.

‘He would have been sacked if it were me’ overheard Monday 25th February

‘It don’t think it would be allowed’ ‘maybe it’s worth a try’ overheard Monday 4th March

‘You begin to think I should go to the doctor and then it goes away for half a day and you think, oh I won’t bother then. But you know it will be back tomorrow’ Overheard Monday 4th March

Those are some examples of the conversations I have heard. These were heard in alcoves around the cafe. It would appear that work conversations happen more within the safety of an alcove whereas outside in the open areas of the cafe, more family orientated and gossip conversations take place. I feel that because of the nature of the conversations people feel safer talking about colleagues in a more private space.

Using verbatim within are performance is a strong decision as it can show the thoughts and feelings of the visitors of the gallery cafe. It gives us a good idea of what people come for and what they discuss when they do.

We also put out surveys to ask people questions about why they visited and about what they like about the cafe. Most people had come locally to see the exhibits but a few of the locals come just for stokes cafe itself because of its ‘Relaxing atmosphere’ and ‘Nice coffee’.

‘Verbatim theatre reflects truth differently from other forms of drama’ (McManus, 2010, pg 143) This quote shows how verbatim reflects the truth but it’s the part about how it presents it differently to other forms of drama. I feel that verbatim theatre reflects the real truth as it is a direct projection of the public’s views whereas other forms of drama could be an idealised reality and not a true one. Although verbatim theatre could also bring with it a false truth as you could not have gathered views from every possible view point.

I still believe that verbatim is the right direction for our performance as we have been observing the cafe visitors and feel that verbatim will offer us the chance to give a true representation of these characteristics.

Our group are looking at the types of people who visit the cafe; we want to make each table an exhibition. Taking an area of the gallery that is viewed differently and brings it into a different light. By naming the tables with plaques to draw people’s attention to them we are creating an exhibition of the customers and of the cafe itself. Therefore I think verbatim is an important element of our performance.

 

McManus, Donald (2010) ‘Great Souls, Big Wheels, and Other Words: Experiments With Truth and Representation in Verbatim Theatre’ in Kiki Gounaridou (Ed) Text and Presentation 2009, United States of Ameria: The Executive Board of the Comparative Drama Conference, pp.141-153.

 

Initial ideas, Bound

To begin with we liked the idea of using the painting ‘Bound by Love’. I noticed that the painting itself had a similarity to the shape of The Collection gallery. This interested me as I thought about the idea of creating the painting on a larger scale on the outside walls of The Collection building.

Bound by Love

 

(Grigoriev, 1997)

I like this idea as we would be bringing the painting outside into the courtyard for people to see it as they walk by.

This led us to think about the connection of the two sides of the building at the gallery. We noticed how they are mirroring each other, the cafe and the gallery education rooms, they reminded me of the two lovers in the painting and I wanted to explore that idea further.

We then started thinking about how we could recreate the painting on the building we thought about stringing the two together like the threads in the painting to show the connection between the two buildings and we had the idea of putting up white sheets at the end of the building to show the people in the painting. These are ideas that we are hoping to try out in the next few weeks but we need to get health and safety checks first on the ladders.

Alexei Grigoriev (1997) Bound by love, painting, 52 x 43cm, Lincoln: Usher Gallery