The Instagram Approach…

On initial viewing of the Painting- ‘The Brayford Pool and Lincoln Cathedral’ (1858) hanging in The Usher Gallery, my group and I saw great beauty, artistic flare and appreciated the feeling of going back in time and visiting what Lincoln once was. We intended to create our performance based on these differences and the culture change in Lincoln. After some further discussion we realised we needed some outside perspective and during our time spent in the Usher Gallery in class we asked various different people their opinions of the painting. We recieved a lot of positive responses about how beautiful it was, and how well the cathedral is captured as well as the busyness portrayed in the painting and how precise the detail is. However we then questioned one gentleman who gave us much more negative feedback. He spoke about how flat the painting was, saying it was lifeless and unrealistic. We took these comments in our stride but still feeling positive about our views and ideas. We then had an interesting discussion with a woman who had a varied view. She mentioned the busyness in the painting, how well the light was captured and questioned whether the cathedral was to be the focul point because it comes accross very poignant. She then began to question the honesty of the painting, saying it looks like a photograph, the swans all seem perfectly placed, everyone is well dressed and the boats are in good condition. ‘Surely it woudln’t be this perfect’ she said. We then realised we hadn’t read in full the small sign next to the painting on which the full title and description of the painting is written. It states clearly that the painting was an idealised image and the swans and fishermen were painted in for this reason. This turned our whole view of the painting on its head and twisted our vision. We then began to consider our performance being an unveiling of what the painting should look like and also a presentation of our opinions of the dishonesty of the painting and the era in which it was painted. It’s interesting to link this to todays society and when you really think about it, do we ever actually see the ‘real’ thing? Or is it a photoshopped version? Is it something people want us to see? Even when we take photographs of ourselves or of somehting which is already beautiful we edit, we crop and we criticise. Much like the well known iphone app called Instagram; the place where everything looks better than it actually is and a plate of beans on toast is made to look like a masterpiece. We have the option to filter a photograph and edit out any imperfections that might make it unique, so we do it, and then it looks like any other Instagram post; all the same.

This photograph is one I have taken of two swans spontaneously posing in a heart shaped position, taken on the Brayford pool. The background isn’t the most beautiful and the water isn’t the cleanest but the image of the swans is still beautiful.

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This is the same photograph after I have edited it on  Instagram and instantly it is more attractive and inviting. Anything ugly about the picture has been dismissed, the reflection in the water is clear and the image is a much more beatiful one. But it isn’t real, it has been altered just so it is more pleasing to the eye. Without anything in the photgraph but the swans, it could have been taken anywhere as long as this image was captured.

So when you really think about it, it’s as if the artist of ‘The Brayford Pool and Lincoln Cathedral’ has instagramed the painting to make something that was probably quite average in to a master piece, and something people really want to see.

Our Artistic Statement

Inspired by the painting of  ‘The Brayford Pool and Lincoln Cathedral’ (1858), hanging in The Usher Gallery, we intend to challenge the boundaries between traditional and contemporary art to convey a deeper meaning of the painting. An idealistic approach has been used in the creation of the painting and we wish to remove this mask to explore the differences in the audiences reaction. We question whether they will appreciate our honesty and understand our aim to unveil the ‘pre-photoshopped’ version of the painting.

We intend to use technology such as: projections, voice recordings, music and picture images to succeed in our vision. We will also require the use of traditional costume, masks and various props to bring to life the busyness inside the painting and also express our new found interpretation of the piece of art.

Through our performance we intend to leave a lasting imprint of the actuality of the painting and the city in the minds of our audience. We hope to alter peoples perceptions and views on the initial look of a painting.

 

Bound by love.

Our group went up to The Usher Gallery and saw this painting which is called “Bound By Love” by Alexei Grigoriev

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We felt the painting seemed so out of place amongst the portraits of people and Lincoln, that is was brought to our attention right away.  We then went back to the idea of using the Cafe, which that lived in feeling. Then it is as if the lovers are trying to meet in the Cafe.

It made us think of Pearson’s theater and archeology where it states “Cultural identities, It is in these limited spaces and with these heterogeneous elements that both archeology and performance work and negotiate identities of people and things.” (Pearson, Shanks,  2001, p54)

We want to focus on the Cafe (as well as the courtyard outside) to help bring the performance together and show the identities of these people, and their love for each other. One part of the performance will include one person in the cafe “talking” to someone in the building opposite. The building representing the people in the painting rather than the actors doing so.

The archeology is an important factor in our performance, representing not only the people in the painting but the distance between them.

Though this has yet to come into practice and we are unsure if it will be effective.

Bibliography:

Pearson, M., Shanks, M., (2001). Theatre/ Archeology. London: Routledge

Gabriel Davies

 

 

 

‘Something Wonderful..’

When entering ‘Gallery 3′ of The Usher Gallery, although it may go unnoticed, a faint ticking sound plays as the public view the art behind the glass casing. The sound is played from a small stereo hidden above James Ushers’ personalised pocket watch collection, which instinctively draws you towards the clockwork display.

The sound being part of Liverpool based duo Jonathan Raisin and Elizabeth Willow’s Something Wonderful event. As part of this event, Raisin and Willow intended to “include overlooked or forgotten places and objects” (Fish, E, 2012) into their work. By adding a soundtrack to a room which can be overlooked so easily draws much more attention to it, causing the public to focus in on things that they may not have noticed before. The duo were inspired by “things lost and found, second-hand objects, overheard conversations and snatches of sound, fragments, glimpses and everyday normality as well as strangeness” (Lincolnshireonereviews, 2012). The particular ‘snatch’ of sound which they placed in The Usher Gallery is attached:

Raisin and Willow – Something Wonderful

Due to the circumstantial playing of the stereo in The Usher Gallery, it is easy to mistake the rooms ‘soundtrack’ to be the sound of the pocket watches ticking away from behind their cabinets, as the sound coupled with the aesthetics of the room causes our minds to jump to that conclusion. So, what I would really like to know are your thoughts on Raisin and Willow’s Something Wonderful?, how does it make you feel when it’s separated from the imagery of a clock?

Author: Chloe Doherty

Work Cited:– Fish, E (2012) Something Wonderful, Online: http://thelincolnite.co.uk/2012/11/artists-give-their-views-on-lincolnshires-best-bits/ (accessed 12 February 2013)
– Lincolnshireonereviews (1012) Raisin and Willow’s Something Wonderful, Online: http://lincolnshireonevenues.com/commissioning-projects/raisin-willows-something-wonderful/ (accessed 12 February 2013)

Gallery 3

 

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On first visit to The Usher Gallery, we felt gallery 3 had the most potential as a performance space due to its contrast to the other rooms in the building. All the other rooms in The Usher are light, airy and traditionally decorated, whereas gallery 3 is dark, enclosed and contemporary.

We found that there are many fascinating aspects about this particular room, one of which being that the items on display are withheld from their intended purpose because they are in glass cases. The items here are practical but with artistic value, as opposed to other features in the gallery such as the oil paintings and sculptures.

IMG-20130212-WA0009 Left: Tea set collection in Gallery 3

The Usher Gallery as a whole displays many items from James Usher’s personal clock collection, most of which appear in gallery 3. As you enter the room, the first thing you see is the Grandfather clock and the pocket watch collection, this is such a dominant feature in the room that it influenced our ideas for a performance focusing on time, in this space.

IMG-20130212-WA0004Left: Grandfather clock               IMG-20130212-WA0006 Left: Pocket watch collection

The lack of natural light means the only perception of time in the room is from the clocks, this makes it ideal for a performance on time as we can manipulate how time is perceived.

The room is midnight blue colour  and has a very low ceiling creating an enclosed and compact space to work in. The fact it is a room built within a room makes it feel claustrophobic and uncomfortable, which is an aspect we would like the audience to experience whilst watching our piece. The contemporary style of the room is unusual to be in a Georgian building, this intrigued us and was our inspiration to perform here.