‘The Illusory Nature of Time’

“The idea that time and space are tools of the mind, our source of comprehension and consciousness, is an abstraction” (Lanza, 2012)

time

It can be said that time is simply an illusion, one which helps us to categorize and express different thoughts, whereas clocks are a manmade object used in an attempt to track the notion of time. Rather than time being a perception in itself, we perceive the process of repetition, much like the ticking of a clock. As humans we are programmed to associate a clocks transition from one number to another with the passing duration of time. This can easily be misconstrued as the physicality of a clock, whether it be digital or analogue, with the concept of time. We do not see time as a physical concept, but we can clearly see that clocks are a solid object which humans are able to touch, move and manipulate. “Measuring “time” doesn’t prove its physical existence. Clocks are rhythmic things. We use the rhythms of some events (like the ticking of clocks) to time other events (like the rotation of the earth). This isn’t time, but rather, a comparison of events.” (Lanza, 2012).

“We also have the sensation of duration: we can even check that sensation against a clock” (Blackwell, 2012). The passage of time is an incredibly difficult concept to grasp without the presence of a physical clock in front of you. In class, we experimented with passing a ball to one another in an open space for one minute, and then passing it amongst a tighter space created by enclosing our bodies again, for one minute (see earlier blog post “Like Clockwork” for more details). We intended to do this for 6 minutes, so theoretically we would repeat each process three times. A timer was set, and after only getting through half of our planned process, it went off. This showed us that not only can time be seen as a concept opposed to something definite, but also that each person’s perception of duration may be different, conflicting with that of a clocks.

With the idea of a clock solely being a physical being, as a group we looked into the physicality of a clock, including the mechanics behind the face. This led us onto the idea of a ‘human clock’, or rather how we could use the shapes in our bodies to represent the hands on a clock to show a passage of time. Whilst researching, we came across this video:

Although this looked incredible aesthetically, as a group of six working in a small gallery, it soon occurred to us that we have neither the capacity
nor the amount of people needed to create such a thing. This is where our search for examples of people creating changed from analogue to digital.


Example 1

Example 2

The first example shown above is what initially inspired us to incorporate an image like this into our piece, but again knowing that we do not have the right space for such a performance we decided to play around with the idea of projecting something onto the wall of Gallery 3, which we would have prerecorded. The performers in example 2 use similar skills to that of the first, but explore the idea in a much more performative way to that of the first, which is for the most part very structured. Although the pieces above explore a similar concept, they both go about it in very different ways, together they have motivated us to experiment with the creation of a clock for ourselves, coming up with something just as inspiring.

Author: Chloe Doherty

Work Cited:
– Blackwell, G (2010) Time Doesn’t Exist: A Step-by-Step Proof, Online: http://www.grahameb.com/realitycheck/?p=425 (accessed 24 February 2013)
– Lanza, R (2012) Does Time Really Exist?, Online: http://www.psychologytoday.com/blog/biocentrism/201202/does-time-really-exist (accessed 24 February 2013)

Why do people choose to visit cafés?

I thought it would be wise if we were to do our piece in the café then I would need to gain further understanding as to why people decide to visit cafes. After I started to pay more attention at The Collection, I began to notice how people seem to be in their own little bubble and didn’t pay much attention to their surroundings or the people around them. It made me begin to question things such as;

Do people choose to visit cafes for the coffee, the atmosphere, or for the company they keep?

 It seems that all these things merged together create an experience that makes people want to come back time and time again. People tend to visit cafes for different reasons, for some people it could be for a catch up with friends, others just to get away from their everyday life. For a lot of people it was another place to sit and do work. They go to do their work their because from personal experience the work load doesn’t seem so much when it is taken out of its normal surroundings, often a café is described as being a third place in a person’s life other than work and home.
Neeti Gupta has a theory that when we are alone in a public place, we have a fear of ‘having no purpose’ ((References:
Gupta, N 2004,’Grande Wi-Fi:Understanding what Wi-Fi users are doing in coffee-shops’. New Delhi, India, School of Planning and Architecture)). If we are in a public place and it looks like we have no business there, it may not seem socially appropriate. In contrast to this it is also suggested that ‘today’s coffee houses are less political settings than refuges from the stress of everyday life, where people can meet and talk, read, listen to music or poetry or simply watch the world go by’ ((Humboldt Bay Coffee Company, 2006 [Accessed: 24/02/2013] http://web.archive.org/web/20070915014128/http://www.humboldtcoffee.com/History.htm)). As these both give different perspectives it was decided that we needed to do research as to why people came and visited the café in The Collection to figure out who came to the café and for what purpose as I believe that our performance should be based around what we figure out through researching so we can gain a better understanding of the space.

Why do you choose to visit a cafe?

Dipping into site specific

After looking around our Site, what were most exciting for me were the spaces we had to play with and the design of the buildings. The Collection boasts a very modern feel, with its large windows creating a feeling of openness whereas the Usher Gallery felt more enclosed, a beautiful period building oozing nostalgia.

In our first lesson we spoke about the definitive aspects of ‘space’. Space is very much divorced from cultural connection and acts only as a functional component.

As a society do we appreciate the spaces we have? Personally I think we neglect the beauty of perhaps confined spaces, and from a theatrical point of view, spaces to perform in. For example spaces by toilets or even on stairs.

I wanted to get a feel for site specific performances in Museums or galleries; I was inspired by Stephen Goldblatt’s event called Surface:

To me this showed how much variety there was to responding to a site. Here he had taken the exterior of the building and incorporated visual effects and sound to make a statement. There was something unconventional about the way he had chosen to exploit the wall compared to all the artefacts and art that must be inside but that’s what I enjoyed most about this it got me thinking about the architecture of buildings.

A group consisting of 4 of us all really liked the idea of finding spaces for performance where we could reveal certain things to the audience and respond to the architecture of the building. Enclosed spaces, big spaces, playing with the atmospherics of the space will all aid our performance ideas.

Word count: 269


Works cited:

Goldblatt, Stephen (2009) QUIXOTIC – SURFACE, online: http://www.youtube.com/watch?v=3X5aZy7futA (accessed: February 18 2013)

‘Wrapped Reichstag’

Another huge influence to our performance was the performance led by Christo and Jeanne-Claude of the ‘Wrapped Reichstag’. They change a iconic and influential building in Germany over the course of a few days and watch how the public react to this. The public reaction in our performance is something we are extremely interested in and believe many people will stop and watch our performance throughout to see the end product. They re-create the Reichstag and make it original and unique which is what we are aiming to achieve when creating and building our own Big Ben. Although the huge difference is that we aren’t actually using the site of the Big Ben, we are still changing how it would potentially look and re-creating another iconic structure.

This is the Youtube video link to the performance- http://www.youtube.com/watch?v=esiErDm62E4

After researching and finding pictures of the planning Christo and Jeanne-Claude went through it has given us ideas to try out many different materials, after the polystyrene was unsuccessful we know we at least have a lot more time to try different ideas to make our structure the best it can be.  Also it has helped seeing they used drawings to give them inspiration, we have decided to start to draw how we want the structure to exactly look like and make smaller model before making the final one. The works of the ‘Wrapped Reichstag’ has helped us as it shows using an iconic building brings a lot of meaning and questions to the performance.

1c33d0af94164df23a9802d38211507c

The original drawings of the ‘Wrapped Reichstag’ during planning.

46f081ba3fa2253cd7c338be0e83a06c

 

A computerized picture of how they wanted the final outcome to look.

f8eb81bfd4fa26c02801bd80aaede400

During the performance, whilst being ‘wrapped’, shows how many people were interested in what was going on, as it wasn’t being explained throughout, which is what we aim to do during our performance.

29d0350c128aa2531da1bcd164522c49

 

The completed building.

‘The Grand Step Project’

The Grand Step Project is a performance which inspires and relates to our own. Stephan Koplowitz devised a piece of dance in which his group of dancers then perform on steps of iconic buildings around the world, bringing a different type of art and culture to different cities. Their website quotes- “The work also functions as a way for local arts presenters to both reach new audiences and help connect different strands of their cultural community, specifically in dance and music.” Like our performance they are bringing different cultures. Similar to our performance with the Big Ben, Stephen Koplowitz has a huge interest in the grand staircases, particularly in New York- “I am fascinated by the grand staircases’ grandeur, imposing architectural stature, and the ostentatious embellishments that belie the stairs’ mere utilitarian function as a means of approach and retreat.” Although these performances are made up of dancing and singing it relates to our piece as we have a lot of movement throughout the gallery happening and also the use of soundscapes can be seen as a type of music.

This is a link to their website which has videos of their performances throughout-

http://www.koplowitzprojects.com/grandsteps.html