'experiences of contemporary museums as theatre' (Bennett,S 2013)
//A thought came to me yesterday on site – what is the future for art?
In my mind, with technologies constantly evolving and taking over, is this where art galleries will end up:
What affect will this have on the local community?
Any thoughts?
//We decided on the café as our main performance space and cleared permission to use the space. Initially we had a lot of ideas sprouting off in different directions so it wasn’t clear which path our piece would take and sometimes throughout the process we often overthought ideas and tried to make it more into a theatre performance rather than it connecting and relating to our chosen site.
Ideas included:
Look into ideas to influence our piece such as;
//Reading the introduction to Susan Bennett’s book Theatre and Museums, it has allowed me to further understand the context of our site.
“theatres and museums are crucial to a city’s vitality and appeal” (Bennett,2013, p3).
In comparison to some of the other sites for this module, The Collection at first glance seemed to be the hardest to respond to as it already has a function and purpose, what could we do as a performance in response? It felt as though we were limited with what we could do, but then again, in some way this gave our group a head start as there was plenty of inspiration from the different exhibitions and galleries. “Both theatre and museums require an infrastructure supported by a diverse range of technical and intellectual skills, acts of interpretation and mediation, and eventually, an audience” (Bennett, 2013,p4).
As well as highlighting theatre and museum commonalities, Bennett then goes on to speak of theatre in museums, which is even more relevant to our purpose. Although we are not directly responding to what is in the museum as in re-enacting the past, as explained in this section, we are engaging with the whole site; to things that may not even be noticed or thought about on a daily basis. Our performances will still “enhance the visitor’s appreciation and critical understanding” (Bennett,2013, p7) but of the entire site as well as its exhibitions and galleries.
After having some initial performance ideas for our piece, we started to research further into café culture and different reasons as to why people go to cafes and who those people are. Reading from ‘Theatre/Archaeology’ the main points that came from it were to be true to the history of the space and the motion of uncertainty as the artist(s) do not know how the audience will respond to the work.
By the observations we made in the cafe whilst there we were intrigued as to why people go to cafes and who those people are. We researched the history of The Collection, the building itself and also the café owners ‘Stokes’ to understand the importance of the café within The Collection. Stokes of Lincoln describe the cafe: “The sleek, modern café is housed in Lincoln’s archaeological museum fused with the Usher Gallery in one incredible visitor centre” (R. W. Stokes & Sons Ltd, 2012)
Whilst researching for general opinions of cafes and why people go to them I found an article titled ’20 reasons why creative people like to go to cafes.’ The writer of which said it is a ‘”third place between work and home, where you can relax without the worries associated with either” (Dirkoff, 2012)
Another article I came across more specifically based on museums and cafe describes cafe as thus: “Cafés are rather like good exhibitions” (Brown, 2006) This opinion given here has given me confidence in our ideas we have for our performance. Within the cafe there are people who by coming to the cafe highlight the different activity and what we find most intriguing; why do people come to cafes? However later on the writer comments “the downside is that cafés are not static exhibits” (Brown, 2006) Does it matter that cafe’s are not static exhibitions? Due to our ideas of turning the cafe into an exhibition we want the audience to see the cafe for what it is in action. Or could we look on the other side and make the cafe a static exhibition similar to the ones we have seen within the museum?
Bound by Love
This painting hanging in the Usher Gallery has become another influence on our ideas for a performance in the café, The location of the painting in the gallery is rather random as the other paintings in the particular room are landscapes of Lincoln and other landscapes where as this is a surrealist painting. We made it link with the people who come to the café and why. For example, those on a first date might go to a café as it is an informal setting and relaxed atmosphere. The two ‘people’ in the painting are lovers trying to come together. This also linked with our observation of the café being separate from the rest of the building and us wanting to make the café an exhibition itself, joining the whole building together. Using the courtyard space between the café and the other side of the building we want to somehow recreate the painting for our performance to represent the people and emphasise the architecture.
Works Cited:
Bennett, Susan (2013) Theatre and Museums, Basingstoke: Palgrave Macmillan.
Brown, Chris, 2006, Successful Cafe Museums, [online] Available at: http://www.aim-museums.co.uk/downloads/fe0a6c94-dd78-11e1-bdfc-001999b209eb.pdf, Accessed on: 4th February 2013.
Dirkoff, Mitch, 2012, Huffpost Arts and Culture, [online] Available at: http://www.huffingtonpost.com/mitch-ditkoff/creativity-cafe_b_1879907.html, Accessed: 4th February 2013.
//‘Site Specificity arises precisely in uncertanties over the borders and limits of work and site…’ ((Kaye, N Site Specific Art, (2000) p.215))
Exploring The Collection and the connecting Usher Gallery, I can see many interesting spaces that have great potential to be unusual performance spaces, such as up on the balcony between the two education rooms, the space underneath the building outside, just name a few.
Looking at The Collection and The Usher Gallery its clearer how different they are, so depending on which type of performance you wish to create depends on what site you would chose. For example the Usher Gallery is more of a place to sit and reflect whereas The Collection is more of a social, education place. One that caught the group’s eye was that of the café, situated in The Collection.
The café is owned by the company Stokes, who has several other cafes around Lincoln. We were initially interested in the architecture of the café and liked the fact that the ceiling was several different heights with lights hanging from the ceiling which all levelled out at the same height. Even though some of the casing that surrounded these lights was broken I still thought it was pretty.
It is not often that I look at a space in so much detail but I was really noticing so much that I normally wouldn’t. Looking from outside into the space I was amazed to see that the alcoves inside looked like they could be framed by the windows because it was sectioned off in a way from the rest of the café, it was on a raised step and looked interesting from the outside and this gave us an initial idea to want to use these for part of our performance as they were interesting to view from inside and outside. Looking at the overall space outside it was interesting to look at how the two buildings could be connected and yet they are far apart creating an outside space which can be used for the café during summer.
//
Today, for the first time, I visited the Collection Gallery. We got to look around both galleries which hold to different style of exhibitions in two separate buildings. The one in the Collection provided historical informational which was educational and therefore targeting and appealing to children, especially with the games and dress up sections. The Usher Gallery which looks like a manor house, is the home of paintings, sculptures, plates and clocks. This gallery definitely felt like the most sophisticated out of the two, appealing to an older generation and people interested in art.
Throughout our time here we were given the task to sit or stand in an area of the Collection Gallery and record everything that you see and hear. I chose the cafe as that seemed to be the area which was the most busy and thought it would be interesting to observe what people were talking about and who used the cafe. I found this very successful as I recorded a lot of observations from what the staff did and the noises I could hear, to the observations of what I could see from the cafe when I looked out of the windows. This made me acknowledge the architecture of the building as I was looking around. I realised the cafe was downstairs and not on the same level as the rest of the gallery, which made me think the cafe is a place where visitors or other people not visiting the gallery can come to and get some peace and quiet from their busy schedules. As I looked out of the window I could see a tree with a diamond ring on it and wanted to know what it meant, whether it was meant to be there and why.
My first thoughts of the building opposite the cafe (the education room) made me think the building is like a puzzle as there is so much to explore and what may at first seem accidental could actually have been done purposefully to make you explore the building like you explore the exhibitions in both galleries. As there was a massive space in between the cafe and the building opposite, I could imagine people walking around during a performance like a promenade piece.
The layout of the cafe also made me think about how I felt as a customer at the cafe. Where I chose to sit, by the window in an alcove, I felt hidden and separate from everyone else in the cafe even though the cafe is a big room. This made me think whether other people who visit the cafe notice this feeling too and whether some people decide to sit there to be alone and away from the chaos of the rest of the cafe and even from their busy lives. As a person who spends a lot of time socialising and having a busy schedule, it felt nice to be able to sit alone in a peaceful place and observe everyone around me.
With these observations and thoughts about where the audience could be, could this be a potential performance space?