Strings and more things.

Part of out performance is using string to tie the cafe building and the museum building together, it is to represent the stitches in the Bound by love Painting.  It reminded me of the German site specific performance when they covered the political building with white sheets.

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Though we were unable to tie them by the roof as we plan to do for the actual performance, we used ourselves to see the look and feel of how the strings will look.

 

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As you can see by even doing this, someone stood at the back and watched this all unfold, considering this is such a small part of our performance piece and a number of people noticed, it makes me wonder how many will take notice when it all comes together?

 

 

Bound by love.

Our group went up to The Usher Gallery and saw this painting which is called “Bound By Love” by Alexei Grigoriev

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We felt the painting seemed so out of place amongst the portraits of people and Lincoln, that is was brought to our attention right away.  We then went back to the idea of using the Cafe, which that lived in feeling. Then it is as if the lovers are trying to meet in the Cafe.

It made us think of Pearson’s theater and archeology where it states “Cultural identities, It is in these limited spaces and with these heterogeneous elements that both archeology and performance work and negotiate identities of people and things.” (Pearson, Shanks,  2001, p54)

We want to focus on the Cafe (as well as the courtyard outside) to help bring the performance together and show the identities of these people, and their love for each other. One part of the performance will include one person in the cafe “talking” to someone in the building opposite. The building representing the people in the painting rather than the actors doing so.

The archeology is an important factor in our performance, representing not only the people in the painting but the distance between them.

Though this has yet to come into practice and we are unsure if it will be effective.

Bibliography:

Pearson, M., Shanks, M., (2001). Theatre/ Archeology. London: Routledge

Gabriel Davies

 

 

 

My inital response to the space.

While walking around The Collection for the first time, I was instantly drawn to the space of The Collection’s cafe.

The Cafe is a very busy place giving the people there not only a chance to view the performance but even be part of it, if our group wanted that to be the case. That is the first thing that drew me to this Cafe. It is already a busy working environment, to see a performance there would be in an interesting contrast.

The Cafe responds to the polish directors Grotowski’s productions of creating a lived in environment. We like Grotowski could create a performance where the actors are sitting in amongst the audience.

As I first walked in I saw the different levels around the cafe.

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Just by walking in we see three levels, with very high ceilings. I thought how much a performance would be able to move in this space.  A performance could move into the three areas and show their performance by what level of the space they are in. I enjoyed the deep contrast between the high open space full of light to the bottom level which is low ceilings, a small space which is quite dark.

To use the space as a symbolic piece for the performance is something I want to keep in mind.

 

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Along with the different levels, there are also contrasts of space. In these big windows in the cafe you could look across and see the start or end of a performance outside and make it move inside. Even if you start outside people would still be able to see and wonder about the performance.

Thus I don’t think the performance moving from place to place would be jarring but move fluidly.

I believe with these different levels and different places the Cafe would be an excellent place to put the performance with so many ways to get the space to interact and work with the performance.

 

Looking at our Cafe

To sit down in a café and really look around is something. Usually you avert gazes, you keep your eyes to your food, your friends, anything that is yours. To actually sit and look around a place you have been in a thousand times before and really look at is something.

 

When does anyone sit in the café to look at the building?

To look at how high the ceiling actually is, how tall the building is.

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When finally looking at the people around you, you notice the boy drawing and how engrossed he is in his work, you can’t see what he is colouring, so you imagine he is drawing himself fighting a dragon.

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To finally wrench yourself away from your laptop, your work, your stress and see that the café actually has a beautiful view of the city.  Funny how you never notice that before until you’re told too, until you are told to really look around you.

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To hear the interesting lives of people sitting next to you is strange, when usually you go so far out of your way not to overhear and be rude.

 

“I sold my boats, I got more than I wanted for it and now I have a month. I am living here, on the river, least I have a caravan to fall back on. “

 

“It’s not a cob, it’s a roll.”

 

“I love ear-wigging”

 

“Oh your egg is gone”

 

“I have egg on my forehead.”

 

When you then finally look up from your laptop, you notice how busy it truly is, how in this university there are going to be hundreds of people you may only see once, or at least remember only seeing once.

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All of this from simply sitting in a cafe for an hour and a half.